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@nouses_kou β€” study for LUME + Mohamed's content

Account stats: Kyoto-based, ~305K followers, 500+ posts, contact `[email]`. Brother dancer `@nouses_motomi`. Tag self-description: "physical sensations, technology and sound." Uses `#touchdesigner #aiart #newmedia #contemporaryart #glitchart`.

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Account stats: Kyoto-based, ~305K followers, 500+ posts, contact `[email]`. Brother dancer `@nouses_motomi`. Tag self-description: "physical sensations, technology and sound." Uses `#touchdesigner #aiart #newmedia #contemporaryart #glitchart`. | Shortcode | Dur | Likes | Caption hook | |---|---|---|---| | DCmj5szSZcs | 18s | 377,210 | "πŸŒΏβ—‰" (two glyphs) | | C-hxtqZyqJ8 | 25s | 149,406 | Noh quote: "Truth is not emptiness but rather is as it is" | | C6tF8K0Ssn_ | 89s | 44,965 | hand-glyph sequence + "physical sensations, technology and sound" | | C7WuPgry4Rn | 63s | 30,442 | "πŸ«§β†—οΈŽβ†©οΈŽπŸ«§" + dancer credit | | C_2mhtyy7gx | 30s | 12,410 | Kanji Noh quote: void/substance | | DR-luD5EyVk | 17s | 10,934 | "Forest, AI, liminal interface, signal." | | C-NkBZVytCm | 32s | 10,094 | Noh quote + deer-sound mention | | DVXF57Vk1_l | 21s | 9,025 | "Human and city disappeared, AI and nature remained." | | DViZfY8kRmf | 27s | 2,962 | "πŸŒΏπŸŒ±β‡„β†ͺ︎β†ͺ︎ AI" | | DUiLb6dEWXt | 24s | 1,073 | NFT drop announcement (the only "ask" β€” performs worst) | Skipped from this count: `DYCQRxNxfrr` (transcript too short, 7.5s motion-capture intro), `CODrUbYgb5u` (962s β€” not a reel, 2021 IGTV performance). A continuous, looped, 17–30 second AR-glitch tableau where a body (or two hands, or a finger on a leaf) is overlaid with white or green tracker IDs, bounding boxes, point clouds, and pseudo-code labels, scored to a distorted electronic ambient drone and captioned with a single classical Japanese Noh fragment plus a quiet "Thank you very much, sincerely." It is not a tutorial and it is not a personality channel. There is no face, no voice, no CTA, no progress arc. Each reel is a self-contained loop of "what would it look like if a machine were reverently observing the smallest gesture." The strategy is restraint scaled into spectacle: the same data-visualization vocabulary, the same forest or domestic frame, the same closing bow, repeated until the catalog itself becomes the brand. | Layer | Recurring device | Frequency in sample | |---|---|---| | Visual | White or neon-green bounding boxes labeled `ID: 7-digit` overlaid on subject | 7/9 reels | | Visual | Pseudo-code text floating in space (`Tensor.2.0`, `int main(){}`, `loop (format 1 "^%1")`) | 4/9 | | Visual | Point-cloud cutaway against pure black (subject reduced to dots) | 5/9 | | Visual | Glitch / data-mosh corruption over the live plate | 6/9 | | Visual | Greyscale or desaturated base footage with one chromatic accent (neon green or orange) | 8/9 | | Visual | Fixed-frame composition; camera does not move | 9/9 | | Visual | Subject = a body part interacting with nature (hand + fern, hand + branch, body + forest floor) | 6/9 | | Audio | Distorted whisper or processed voice ("Thanks to the human heart by which we live") looped as ma

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